This article explores single Urdu poem of the early twentieth hundred years by the Indian poet Sayyid Muhammad "Muhsin" Kakorvi. "In Praise of the Best of Messengers" includes imagery of shape-shifting hordes that the poet skillfully uses to excite the sacred and to describe his allow relationship to the Prophet Muhammad from his locale as a Muslim in colonial India. He does this by dint of invoking multiple geographic, cultural, and religious relations in juxtaposition, as he prompts from Qur'anic to Indic religious motifs between the sides of cloud images. His sense of the sacred is sourceed in Indian imagery even as it embraces a wider
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